Showing posts with label James. Show all posts
Showing posts with label James. Show all posts
Sunday, November 18, 2012
Upcoming Christie's Auction
Jules-Achilles Noel (French), Battling the Elements, 35.6 x 65.1 cm.
Michael Vaughan (English), Sunlight through the rigging, oil and acrylic, 55.3 x 81.4 cm.
michael-vaughan.com
Pavlo Prosalentis (Greek), Steam Yatch foundering in a Storm.
David James (Irish-English), Lashing waters of the Atlantic, 1896, 25 x 50 inches.
Lots in an upcoming Maritim Art sale at Christie's.
www.christies.com
Tuesday, October 30, 2012
MacConnal-Mason Gallery
Montague Dawson, A Roll to Loo'ard, 1956
David James, The Morning Tide, 1898
Philip Sadee, Bringing in the Catch, 1879These works are for sale at the MacConnal-Mason fine art gallery in London:
www.macconnal-mason.com
Thursday, June 10, 2010
Wednesday, March 3, 2010
Celebrating a Colour
Atlantic Rollers
A painting celebrating the colour white.
The renowned artists of the past often designed their paintings to celebrate a single colour, repeating it throughout the entire composition, and adding only secondary hues and tones that support and complement it. White clouds, give unity and strength to the image. A bright blue sky would have detracted from the wonderful detail in the white foam. Tiny amounts of yellow in the foam bring out the blue in the waves.
It probably seems strange to chose a white painting to illustrate the use of colour, but in oil painting, white and black should always be considered colours. There is no such thing as a neutral or non-colour, every colour is altered by those around it.
The renowned artists of the past often designed their paintings to celebrate a single colour, repeating it throughout the entire composition, and adding only secondary hues and tones that support and complement it. White clouds, give unity and strength to the image. A bright blue sky would have detracted from the wonderful detail in the white foam. Tiny amounts of yellow in the foam bring out the blue in the waves.
It probably seems strange to chose a white painting to illustrate the use of colour, but in oil painting, white and black should always be considered colours. There is no such thing as a neutral or non-colour, every colour is altered by those around it.
Saturday, January 2, 2010
David James - English
Blown on the Wind
James preferred to create studies of the sea itself, rather than paint seascapes in the sense of topographical reproductions of a coastline. There is a purity about this approach to the seascape that has been taken up by many contemporary painters in the genre.
Saturday, November 21, 2009
David James - Brtish
Incoming Tide, Sunset St Ives, 1895
Simplicity is power. A minimal composition consisting of a single breaker forming a white crescent at the centre of the image. This simplicity of composition is combined, however, with intricate and convincing detail.
Saturday, October 31, 2009
Monday, October 27, 2008
David James - 19th century
Friday, June 20, 2008
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