Through it's encounter with Japanese art, in the late nineteenth century, the western seascape began to exhibit characteristics of Zen-inspired painting: simplicity, empty space and quiet, subdued tones. Norwegian/Danish painter Peder Krøyer captured the luminous emptiness of sandy expanses at Skagen, Denmark, where a community of Danish and Nordic artists gathered, especially during the final decades of the 19th century. Krøyer was the unofficial leader of the group.
A Zen contemplative mood persists in contemporary marines such as this work by the Australian painter Peter Churcher (lower image).
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