Sarah Adams paints large format oils of the coastal scenes near her Cornwall studio.
These works are inspired by the abstract forms of rocks and sea caves framing keyhole glimpses of the sea.
http://sarahadamspainting.co.uk
Showing posts with label rocks. Show all posts
Showing posts with label rocks. Show all posts
Monday, April 3, 2017
Monday, January 14, 2013
Rocks

There's a lot of white paint, contrasted with near blacks, in these works, which are all (I think) of rocky parts of East Coast of the US.
The first one is by Abraham Bogdanove, an artist born in Minsk (now in Belarus) who found the Maine Coast (particularly the rugged rocks of Monhegan Island) an endless source of inspiration.
The second is by contemporary painter Michael B Karas.
Two works by Frederick Judd Waugh follow.
Here are some beautiful nautical works from an upcoming Bonhams marine auction
http://www.bonhams.com/auctions/20482/
Montague Dawson, Eventide.
Antonio Jacobsen, the ship County of Ediburgh stranded on a beach.
Antonio Jacobsen, The ship El Rio at sea.
Here are some beautiful nautical works from an upcoming Bonhams marine auction
http://www.bonhams.com/auctions/20482/
Montague Dawson, Eventide.
Antonio Jacobsen, the ship County of Ediburgh stranded on a beach.
Antonio Jacobsen, The ship El Rio at sea.
Sunday, February 21, 2010
Monday, February 15, 2010
Sunday, October 25, 2009
Friday, April 10, 2009
Priscilla Treacy

Rocks-ocean, (medium unknown)
An interesting composition demonstrating that a marine environment can be evoked without depicting expanses of open sea. The amount of seawater in this work is minimal, and much of it could be just wet sand reflecting the sky. There is no need to show more than a small patch of sky in an upper corner - it is evoked very effectively by the reflection. Cropping out the superfluous from the composition can allow the painting to communicate the beauty and mood of the ocean more effectively, and evoke a very specific sense of place. A painting need not be a novel, it can be a poem - something small in scope but infinite in suggestion.
Subtle colours were laid over a dark, monochrome underpainting to create interesting, magical shadows.
Tuesday, March 10, 2009
Jervis McEntee

Bass Rocks
Though there is little in the right of the composition to counterbalance the mass of rock, the painting works because the rocks are the subject of the painting and extend over the midline of the composition.
Tuesday, February 24, 2009
Thursday, February 19, 2009
Monday, November 17, 2008
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