Tuesday, June 30, 2009

William Robinson - Australian


Seascape with Morning Star, 110 x 246 cm
I like the way the view of the sea has been contained, as if in a glass.
William Robinson stylises the landscape, tiliting and gently distorting elements to give a dreamlike effect.
The huge scale of his canvases evokes a sense of the monumental.

Alexei Vasilievitch Hanzen - Russian


Seascape, c. 1930

Louis Auguste Lepere - French 1849-1918


Falaises au bord de la mer
(Cliffs by the Sea)
102 x 76 cm

This work looks as though it may have faded substantially, but the calm neutral tones produce a kind of timeless monumentality, and the sculptural arrangement of cliffs enclosing a small area of seawater is fascinating. Massing - the design of abstract shapes of light and shadow - is what characterises the great paintings of the old masters, not just deft brushwork or high quality hand-ground oils (indeed, this painting may have deteriorated due to having been painted with unstable pigments).
Seascape painting, like the still life genre, has been diminished in the public imagination because of an excess of cliched compositions. It's refreshing to see seascape painters who have looked beyond the obvious views of sand and waves for something that has interesting abstract design qualities. This is not to say that there are not original compositions of sand and waves to be found.

Sunday, June 28, 2009

Eric Joyner - American


Out to Sea, 22 x 33 inches
Eric Joyner is known for depicting a surreal world of animate toys and giant donuts.

Friday, June 26, 2009

Donald Demers - American


By the Morning Surf, 12 x 18 inches
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The main centre of interest - the white foam catching the morning light - is situated at a Golden Mean sweet spot.
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Images copyright Donald Demers

Don Hatfield - American


Treasure Found, 24 x 36 inches
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Contemporary impressionism. Lovely opalescent colours.

William Clarkson Stanfield - British 1793-1867


On the Dogger Bank